![]() Download our royalty-free acoustic music instead.ĭid you know you can find songs based on topics? Some examples of topics searched by other users include movies, the sun and moon t shirt, hair bands, mother's death, and brother and sister love. Note that you need permission to use Maneater - Radio Edit for commerical purposes. Maneater - Radio Edit is unlikely to be acoustic.įor more information on this song or artist, check out SoundCloud or Last.fm. ![]() Around 5% of this song contains words that are or almost sound spoken. The energy is more intense than your average song. In our opinion, Maneater - Radio Edit is great for dancing along with its happy mood. ![]() It is composed in the key of B Minor in the tempo of 91 BPM and mastered to the volume of -8 dB. The duration of Maneater - Radio Edit is 3 minutes 59 seconds long. Maneater - Radio Edit is a song recorded by Daryl Hall & John Oates for the album Essential - Girls Night In that was released in 2010. Download our royalty-free romantic music instead.ĭid you know you can find songs based on topics? Some examples of topics searched by other users include tana mongeau by ex boyfriend, the soldier and his wife, white death, missles, and daughters hating mothers.įind Similar Songs Get BPM and Key Play on Spotfy Note that you need permission to use Another Brick in the Wall, Pt. Other popular songs by Pink Floyd includes Is There Anybody Out There?, The Fletcher Memorial Home, One Of My Turns, Poles Apart, Embryo, and others. 2 is is great song to casually dance to along with its joyful mood. In our opinion, Another Brick in the Wall, Pt. It is composed in the key of C Major in the tempo of 105 BPM and mastered to the volume of -15 dB. The duration of Another Brick in the Wall, Pt. 2 is a song recorded by Pink Floyd for the album The Wall that was released in 1979. Download our royalty-free games music instead.ĭid you know you can find songs based on topics? Some examples of topics searched by other users include navy, a girl reddit, you midi, farming 1800-2000, and watching your son grow up.Īnother Brick in the Wall, Pt. Note that you need permission to use Manic Monday for commerical purposes. You can also find concert tickets and details. ![]() Manic Monday is unlikely to be acoustic.įor more information on this song or artist, check out SoundCloud or Last.fm. Around 3% of this song contains words that are or almost sound spoken. In our opinion, Manic Monday is is great song to casually dance to along with its delightful mood. It is composed in the key of D Major in the tempo of 122 BPM and mastered to the volume of -11 dB. The duration of Manic Monday is 3 minutes 4 seconds long. Manic Monday is a song recorded by The Bangles for the album Different Light that was released in 1985. It remains a favorite on rock radio and a signature example of their unique style.Your browser does not support the audio element. This approach helped “Maneater become Hall & Oates’ fifth #1 hit. The end result has elements of soul, new wave, pop and rock but synthesizes them into one seamless sound that appeals to listeners of all kinds. The final touch comes with the duo’s vocals, with Daryl Hall providing an impassioned, soulful lead vocal that is fleshed out by plenty of doo-wop harmonic frills on the chorus. Hall & Oates give the song an appropriately atmospheric treatment on their recording of “Maneater,” using choppy, reggae-ish rhythm guitar and a one-two beat to give the song a pulse but smoothing out the sound with careful synthesizer layering and plenty of smoky saxophone work from Charlie DeChant. The lyrics advise against the charms of a femme fatale who is alluring but lethal (“the beauty is there but a beast is in her heart”), culminating in the ominous warning offered by the chorus: “Oh-oh, here she comes/Watch out boy she'll chew you up, Oh-oh, here she comes/She's a maneater.” The music puts forth this tale in a sultry style, blending verses that swing along in a gentle but insistently rhythmic style with a call-and-response chorus that adds a sing-along hook with out forsaking the song’s moody feel. This style is its full flowering on “Maneater,” a 1982 smash that bended pop genres in a typically Hall & Oates style. By 1982, Hall & Oates had become an established chart force with a distinctive style that mixed new wave, soul, rock and pop into a cohesive style that no one else could duplicate.
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